adding bass to voice in adobe audition podcast

#Adding bass to voice in adobe audition podcast series
#Adding bass to voice in adobe audition podcast mac
#Adding bass to voice in adobe audition podcast windows

Pitch Shifter is a time-compression/expansion effect that allows you to change pitch (up or down, with a total range of one octave) while maintaining the track’s original duration (or tempo). It can create some pretty great monster sounds as well. Sound designers interested in a “put your hand on a turntable” effect (and there is such a preset) will find that Pitch Bender fills the bill. However, when you change pitch, you also change the track’s duration. Pitch Bender allows you to dramatically ramp a track’s pitch up or down over time, and it sounds remarkably smooth. The latest version of Audition offers two features for changing pitch-Pitch Bender and Pitch Shifter.

The Preview Editor allows you to see how your sound will be altered before you commit to an effect. Preview Editor lets you see the entire track so that you can spy any problems ahead of time. This is helpful for those who assign an effect, listen to the first couple of seconds of the track, figure everything’s fine, and click Apply. If you’ve amplified a track, for example, you can get a better idea in the Preview Editor of whether applying the effect will distort the sound (and if so, where that distortion will take place). When you assign effects to that audio, you can see what will happen to the waveform once those effects are applied. The waveform for the original file appears at the top of the window. This comes in the form of a split-screen view. With Audition CC, you see the results of your work before they’re applied thanks to the Preview Editor.

In past versions of Audition, you could hear what an effect or process did to your sound before you applied it. When I listened in context, I didn’t get the sense that something had been notched out. I was pleased to discover that the voice that was speaking when the phone rang still sounded natural after the effect was applied. Eventually I managed it and applied the effect, and the ring was gone. So it required going back in and painting a few other areas.

In my case, the dashes told me where the ringtones were, but the overtones were more difficult to spot. The most difficult thing about Sound Remover is identifying all portions of the unwanted sound. I happened to have a podcast track in which a phone rang, so I used that as my test file. Audition’s new Sound Remover tool allows you to remove unexpected audio. If you’ve selected carefully and correctly, the annoying sound disappears, leaving the audio you want in place. You can then sample and store that sound, and ask Audition to remove any instances of it. You then choose the Paintbrush Selection tool and simply “paint” over the offending portions of the sound (the brush size is adjustable for going after things like small overtones).

#Adding bass to voice in adobe audition podcast series

A ringing phone can be seen as a series of dashes, with each representing a brief tone within the ring. If it has a predictable wave like a siren, it’s pretty easy to spot. To use it, switch on the spectral frequency display, zoom in on the waveform, and look for your unwelcome sound. That’s where the Sound Remover tool comes in. The CS6 version took 3 minutes and 38 seconds, while the CC version did the job in 3 minutes and 12 seconds.Īudition has long included tools for removing constant noise-such as an air conditioner or a hum in the audio line-but notching out these unpredictable noises is a much tougher task.

#Adding bass to voice in adobe audition podcast mac

For instance, on my dual 2.26GHz Quad-Core Xeon Mac Pro, I bounced three effects-laden tracks of a 25-minute podcast to a single track in both Audition CS6 and Audition CC. Twice the bitsĪudition is now a 64-bit application, which, in some cases, translates into speedier operation. Before discussing the financial model, let’s turn to features. It’s now a better audio editor however, its target audience may look at alternatives solely because of Adobe’s subscription-only model. With Audition CC, Adobe has largely finished feature restoration (save for MIDI support) and instead focuses on adding new audio restoration and manipulation tools, and tweaking the interface to make the application easier to use. The result was a very fine audio editor aimed at sound designers, radio producers, audio and video editors, and podcasters.

#Adding bass to voice in adobe audition podcast windows

Audition CS6, Adobe busied itself adding back features that were available to Windows users in Audition 3.